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неделя, 17 април 2011 г.
The Ten Best Vampire Movies of the Modern Era
With Underworld: Rise of the Lycans opening earlier this year, Let the Right One In winning awards right and left (but getting snubbed by the Oscars), and every casting rumor about the Twilight sequel, The Twilight Saga's New Moon, turning the internet into a message board-posting rampage, blood-sucking creatures of the night are the "in creature" for 2009. A few years ago it was all about zombies and maybe Benicio Del Toro can bring it back to werewolves with The Wolf Man, but we are undeniably in the year of the bat.
With that in mind and with Twilight hitting DVD this Saturday, March 21st - stores will be open for midnight release parties across the country on Friday night, for those who love teen vamps and miss late night Potter parties - it got us thinking about our favorite vampire movies and doing something that everyone loves to do - list-making. Looking over the entire history of dozens of bloodsucking flicks seemed impossible and it's really hard to compare Nosferatu to Fright Night, so we decided to narrow the scope to only the ones made in the last quarter-century. Believe it or not, that still left dozens of choices.
Before you fanboys and fangirls start going crazy, we'll get this out right now – Twilight is not on the list. We're interested in where this franchise is going (especially with a new director) but, to be honest, there were better vampire movies than this tween phenomenon. Even Stephenie Meyer and Catherine Hardwicke would probably admit that. You can also keep 30 Days of Night and, if you even think it counts, I Am Legend. Neither film is that good. Sorry Josh Hartnett fans. And Legend fans? The sky is a different color in your world than mine. I’m talking to you, Ben Lyons.
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Honestly, narrowing it down to ten was tough. We tried to span the entire era and represent the breadth of the genre with our choices. From the atmospheric chills of films like Guy Maddin's take on Dracula or Tomas Alfredson's Let the Right One In to action-driven films like The Lost Boys and From Dusk Till Dawn. As for near-misses, Guillermo Del Toro's Blade II, easily the best of the three Wesley Snipes movies, Day Watch, and even the original Underworld have their kinetic thrills and legions of fans but they didn't quite make the list. More arthouse crowds might champion The Addiction or Nadja and they're not completely wrong, but they're just barely not top ten material. And there's certainly a subgenre of vampire-comedy that clicks with highlights like Nicolas Cage's Vampire's Kiss and, yes, Buffy the Vampire Slayer, and those films were considered but didn't make the top ten.
With movies that much fun on the outside, there's got to be some bloody good times in the top ten. Grab some garlic, sharpen your stake, and try not to invite in strangers.
- Brian Tallerico**********10. Dracula: Pages From a Virgin's Diary (Guy Maddin, 2002)
If you don't know who Guy Maddin is, get thee to Facets, Specialty Video, or someplace else that specializes in cinema outside the norm. How far outside? Maddin's Dracula: Pages From a Virgin's Diary is a silent film, an homage to the entire history of the vampire genre that was originally filmed as a TV movie for CBC television but was released theatrically stateside. Virgin's Diary is a silent interpretation of the performance given by the Royal Winnipeg Ballet based on Bram Stoker's Dracula and it's absolutely mesmerizing. Maddin has often been inspired by early films, including ones before the development of sound in film, and Dracula uses several old devices, including title cards, screen color choices, and even Vaseline on the lens. But Maddin also clearly uses some modern effects. It's the perfect blend of new and old and one of the best from one of the most innovative directors of the '00s.
**********9. Shadow of the Vampire (E. Elias Merhige, 2000)
Thanks to the whole "modern era" thing, we can't include the original Nosferatu but we can't exclude a movie about the making of that seminal classic. Featuring the best performance of Willem Dafoe's career, Shadow of the Vampire presents a fictionalized account of the making of the horror classic that asks the odd question - what if Max Schreck, the man who played vampire Count Orlok, was a creature of the night himself? Director E. Elias Merhige and his great cast perfectly balance comedy, drama, and general creepiness with their very original take on not only the legend of the vampire but also his impact on the early days of cinema. It's kind of like Tim Burton's Ed Wood meets Nosferatu. And, yes, it's as great as that sounds.
**********8. From Dusk Till Dawn (Robert Rodriguez, 1996)
There are essentially two different kinds of movie vampires. On one hand, you have the isolated monster in his castle, longing for his true love and lamenting his centuries in solitude. The other is the bad-ass, bloodsucking, S.O.B., a creature who'll rip out your throat for fun as much as for sustenance. From Dusk Till Dawn is the latter. Quentin Tarantino and Robert Rodriguez delivered a thrill ride for vamp fans, proving that there was still life in the idea of bloodsuckers as action movie villains and blasting the self-seriousness that the subgenre had taken on recently with films like Interview with the Vampire and Bram Stoker’s Dracula. Clearly inspired by several other movies on this list, Dusk Till Dawn was a blast for horror movie fans and has held up surprisingly well over the years.
**********7. The Lost Boys (Joel Schumacher, 1987)
A film that hasn't held up quite as well but definitely needs to make the list - if only for what it did for the genre - is Joel Schumacher's kind-of-dated The Lost Boys. With roles that defined the careers of Jason Patric, Corey Feldman, Corey Haim, and Kiefer Sutherland for years to come, Lost Boys brilliantly merged two of the most popular genre trends of the mid-'80s - the horror comedy and the coming-of-age story. Honestly, vampires were arguably never more popular in the history of film than they were in the mid-'80s with Fright Night, Near Dark, and The Lost Boys. All three need to be mentioned in a top ten list of the best vampire movies of the modern era. Here's the first.
**********6. Interview with the Vampire (Neil Jordan, 1994)
Vampires came back to the forefront in the early to mid-'90s with two hugely high-profile art pics in 1992's Bram Stoker's Dracula and 1994's Interview with the Vampire. These films were the opposite of the horror/comedy trend of the '80s in that they were played with deadly seriousness and were more of a throwback to the days of Nosferatu. Interview is not a perfect film but there's so much to like about the storytelling, direction, and, yes, performances. Even Tom Cruise.
**********5. Cronos (Guillermo Del Toro, 1993)
If you're late to the Del Toro party, having learned about the great Mexican director from films like Pan's Labyrinth and Hellboy II: The Golden Army, do yourself a favor and go back and revisit arguably his two best movies - The Devil's Backbone and Cronos. The latter is his debut and co-stars the big red guy himself, Ron Perlman. The film is about an antique dealer who finds an ancient device that essentially turns him into a vampire. Moody, atmospheric, and very dark, Cronos clearly heralded the arrival of a talented new filmmaker when it premiered at Toronto in 1993. A decade-and-a-half later, Guillermo Del Toro has a loyal following and is prepping to do The Hobbit. Check out where it began with one of the best vampire movies ever made.
**********4. Fright Night (Tom Holland, 1985)If you had asked me to write this list when I was thirteen, Fright Night would have been at the top. Heck, if you had asked me to list the best movies ever made, Fright Night might have been at the top. I loved this '80s action/adventure/comedy flick, a perfect example of the kind of tongue-in-cheek horror they made more often in the era of Ghostbusters and Gremlins. Come to think of it, why DON'T they make as many mainstream horror comedies anymore? It's weird. Watching it now, what I love about Fright Night is its recognition of the fans. It's a film about a horror movie fan made by horror fans for horror movie fans. The adoration of the genre comes through in every frame. Director Tom Holland was chosen for Showtime's Masters of Horror primarily for Fright Night (secondarily for Child's Play and not at all for The Temp).
**********3. Bram Stoker's Dracula (Francis Ford Coppola, 1992)
Yes, Keanu Reeves is goofy and no one likes to think anything positive about Winona Ryder any more, but before you knee-jerk response to this choice, check it out again. Coppola's Dracula is a grandiose spectacle of a film, which is exactly what this story demands. Over-the-top set pieces with ridiculous dialogue not only work for this kind of material, there's no other way to pull it off successfully. Gary Oldman gives one of the best performances of his career, and we'll take Anthony Hopkins as Van Helsing over that Oscar host any day of the week. But the real key to the mesmerizing charm of Bram Stoker's Dracula is there in the design. The bloody, insane, gorgeous design.
**********2. Let the Right One In (Tomas Alfredson, 2008)
I hate it when critics and viewers try to claim all of a certain kind of horror movie is the same. There is a wide variety within the subgenres of "zombie movie," "ghost story," "slasher flick," etc. and snobby people often lump things together. As if this list hasn't proven the unpredictability within the "vampire movie" already, take the case of Let the Right One In. Tomas Alfredson's riveting adolescent drama couldn't be much more dissimilar from the over-the-top style of #3 or the action extravaganza of #1. Where most movies about bloodsuckers are action or horror flicks, I would almost call Let the Right One In a vampire drama. It's a beautiful dissection of adolescence and longing for a true relationship, even if it's with a vampire.
**********1. Near Dark (Kathryn Bigelow, 1987)
It's been twenty years since Kathryn Bigelow rocked our worlds with Near Dark and yet it is still one of the very first movies I think of when I hear the word "vampire", modern era or otherwise. Near Dark is a masterful combination of varying themes and ideas from vampire mythology as a whole, playing off both the allure and danger of being a creature of the night. Who hasn't thought about being sucked into a more exciting world than their own? Face it. Being a vampire would be pretty cool. Hanging with Bill Paxton and Lance Henriksen all night at biker bars? Sign me up. Near Dark is a Western/horror/biker movie hybrid that feels like nothing else in the subgenre of vampire flick. It stands alone. It is weird, unusual, riveting, action-packed, romantic, old-fashioned, gory, clever, and exceptional. Near Dark rules.
**********What do you think? Mad that Twilight didn't make the list? Are you one of the two people in the world who think Van Helsing is an underrated gem? (No fair voting for your own work, Mr. Jackman.)Sign up for a MyVideoHound account today, post a comment, and let us know what YOU think.Bookmark/Search this post with:Posted by CoolerKing in Features, Lists - March 20, 2009 at 12:03 AMlunagoth at Jul 03 2010 19:01:51It's good to know that Twilight didn't make it. I think it's the most 'unvampire' vampire movie (what kind of vampire that doesn't have fangs and walked around under sunlight?).This list really based from quality not popularity. The_Ten_Best_Vampire_Movies_of_the_Modern_EraReport Abuse
newmoviesdvdreleases at Aug 07 2009 07:57:17With Twilight hitting DVD shelves at 12:01 am Saturday morning, it raises the question - where does Stephenie Meyer's vamp love story fit into the modern vampire genre? ---- Well.. lets see..It doesn't! vampireReport Abuse
haddin at Jun 23 2009 10:35:21Star in your own personalized vampire romance novel! YOU select the heroine and hero and best friend. Full-length novels starring YOU! ______HADDINPersonalized Vampire Romance Novels from Book By You! Oscar SnubReport Abuse
VioletSharp at Mar 26 2009 16:03:12Let the Right One In was snubbed really by Sweden, not the Academy. Each country is allowed only one entry for Best Foreign Film, and Sweden submitted "Everlasting Moments" instead. What Is A Modern Vampire Movie?Report Abuse
Plazmatix at Mar 22 2009 20:20:58I'll be frank and say that a lot of the time, I despise top ten lists...movies I hate are often listed and the good ones are left out.For example, Coppola's Dracula should not be on the current list. The actual title was Brahm Stoker's Dracula, but how can that be when key elements like opening the story with a back story of Dracula (not in the book), Dracula coming out during the day (not in the book), and Dracula being beheaded by Mina at the end of the story (definitely not in the book). All of that plus the mostly bad acting (of course, except for the Gary Oldman and Anthony Hopkins) makes this version of Dracula a joke.Also, the idea of "modern" going back to the 80's limits some excellent films like Polansky's, The Fearless Vampire Killers, George Romero's, Martin, the impressive Blacula (which rises above of the blaxploitation of the era to be a frankly scary vampire movie...a rarity of the genre), and House of Dark Shadows (though basically a rehashing of the TV series Dark Shadows, it was an excellent movie and another scary one).I think starting from the 80's limits the vampire movies than can be on any list because that was about the time they started to become so bad. Lost BoysReport Abuse
flickeringmyth.com at Mar 21 2009 15:31:36Enjoyed the list but for me, The Lost Boys rules! Good listReport Abuse
musicgeekmusic at Mar 20 2009 18:49:43Can go with most of your choices except Coppola's Dracula. Dracula is NOT a romance and Dracula DOES NOT cry. CorrectionReport Abuse
moviefan1111 at Mar 20 2009 16:46:46Great post. I need to see some of this. The only change I would make is Guillermo Del Toro's nationality. He is not Spanish, he is Mexican. Post Your Comment Tell a Friend about MovieRetriever.com Email your friends, Invite them to join the MovieRetriever.com community to create and share movie lists and review them. MovieRetriever.com members can:
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