сряда, 2 март 2011 г.

Corey Feldman "Gravely Disappointed" with Corey Haim's Oscar Snub

Corey Feldman 'Gravely Disappointed' With Corey Haim's In Memoriam Oscar Snub | Movieline Home Newswire Interviews Videos Reviews TV DVDs The Vault The Oscars  ||  by Christopher Rosen  ||  03 01 2011  4:40 PM Corey Feldman ‘Gravely Disappointed’ With Corey Haim’s In Memoriam Oscar Snub function twt_click276516() {window.open('http://twitter.com/share?url=http://www.movieline.com/2011/03/corey-feldman-gravely-disappointed-with-corey-haims-in-memoriam-oscar-snub.php&text=Corey Feldman \'Gravely Disappointed\' With Corey Haim\'s In Memoriam Oscar Snub&via=movieline','sharer','toolbar=0,status=0,width=626,height=436');return false;} function fbs_click276516() {window.open('http://www.facebook.com/sharer.php?u=http://www.movieline.com/2011/03/corey-feldman-gravely-disappointed-with-corey-haims-in-memoriam-oscar-snub.php&t=Corey%20Feldman%20%27Gravely%20Disappointed%27%20With%20Corey%20Haim%27s%20In%20Memoriam%20Oscar%20Snub','sharer','toolbar=0,status=0,width=626,height=436');return false;} Bookmark and Share comments: 5 || add yours

Corey-Haim-225.jpgIf you’re like Corey Feldman — or Movieline’s own Mike Ryan — the chances are good that you were fairly outraged when ’80s icon Corey Haim was not included in the Academy Awards’ In Memoriam segment on Sunday night. While rumors circulated that the snub occurred because of the circumstances surrounding Haim’s death — which was ruled as pneumonia, and not drug-related — the Academy stated that it was actually a time issue: “Whatever the length of the sequence, there will always be fans and family members of those not included who will be disappointed by their omission. The Academy extends its understanding and its apologies to those who missed seeing a favorite face in this year’s feature.” Is that cool with you, Feldz?

Not at all. “I am gravely disappointed that the public outcry of the voices of Corey’s supporters and fans on his omission from the SAG memorial was not heard by the Academy,” Haim’s long-time friend and cohort said in a statement on Tuesday. “Corey dedicated his life to the film industry…The same industry that failed to dedicate even 30 seconds to his memory.”

Deep burn. Though to be fair, it’s not like this is a total surprise. As Academy executive director Bruce Davis said last year, “[M]ore people die each year than can possibly be included in that segment. It gets close to agonizing by the end. You are dropping people who the public knows. It’s just not comfortable.”

With that in mind: Maybe they should do away with the In Memoriam montage altogether? I’m actually asking. It doesn’t really bring much to the table as a home viewer — beyond “Who will they leave out?” and “I forgot that he/she died!” — and it’s probably super awkward for the audience members. After all, how much clapping is appropriate, and who do you clap for the loudest? Anyway, it’s there and it isn’t going away, but maybe it should. If you can’t please everyone, maybe it’s best to please no one. Just a thought.

· Corey Feldman ‘Disappointed’ by Corey Haim Snub [E!]

Tagged: corey feldman, corey haim, in memoriam, oscars 2011, the oscars

Comments user-pic From stolidog | Reply
Posted 01 Mar 2011, 5:58 PM

So what if it was drugs (which it wasn't)? If Nicole Kidman overdosed on heroine next year, do you think they'd exclude her from the montage? Besides, that montage could have gone on for another twenty minutes with Celine there to hold the last note.

user-pic From Christopher Rosen | Reply
Posted 01 Mar 2011, 6:03 PM

That was just the rumor, which I think started because Brad Renfro was excluded the year he OD'd. I am pretty sure it's total BS (Ledger OD'd and he made it, obvs).

user-pic From Quirky- | Reply
Posted 02 Mar 2011, 6:05 AM

Wellll, Ledger's was accidental overdose by prescription pills. The other two?...well, meth-face don't lie.

And there's a reason one of the three was nominated for an Oscar.

user-pic From Mykey716 | Reply
Posted 02 Mar 2011, 10:43 AM

let's face it....the Oscars may be there to honor the industry but the broadcast is for the public. I believe every actor who passes should be included in the montage. If that means you need to edit that list, than cut the agents and producers. The viewers want to/need to see their 'stars' honored. And based on the 'outrage' from the public (2010 - Corey Haim/2009 - Bea Arthur, Farrah Fawcett) on these snubs, it's obvious the viewers aren't aware of/concerned with producer, agents and even directors, cinematographers.
If there can be no happy meeting of the minds, then yes, maybe it would be best to discontinue the In Memoriam montage.
BTW - kudos to ABC & the Academy this year for muting the applause (which I always felt was in poor taste...you're clapping for the dead???)

user-pic From Martini Shark | Reply
Posted 02 Mar 2011, 12:53 PM

Didn't River Phoenix make the grade after he was found with a Walgreens inventory in his system? The Academy is full of it because they saw fit to exclude Haim, yet they included Ronni Chasen - a publicist - in this year's final list. You might think he would make it in if only because of their attempt at courting the younger crowd this year.

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Sucker Punch Set Visit

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Jena Malone is practicing her musical number.  Abbie Cornish and Jamie Chung are preparing to fight crazy-looking soldiers in a German trench during World War I.  Emily Browning is going to attack a huge red dragon.  And this is just the tip of the iceberg of Sucker Punch.

It’s November 24th, 2009 and I’m on a plane leaving Vancouver bound for Los Angeles.  I spent all day yesterday on the set of writer-director Zack Snyder’s Sucker Punch and came away extremely impressed by the vision and scope of his 5th feature film.  While his previous two films (300 and Watchmen) have been both applauded and derided by how they reflect the source material, Sucker Punch is Snyder’s first foray into having complete freedom to tell a story without having to work within the confines of a pre-established universe.  And while I loved his last two films, I feel like this is the one that’s going to really capture everything Snyder has learned over the past several years. The movie looks fiercely original and unlike anything Hollywood has ever released.  It features an almost all girl cast and they’re fighting as hard as the men of 300.

Like the Watchmen set visit, Snyder gave us a ton of freedom on set and let us see everything he has in store for audiences on March 25th.  For a complete report of my experience, hit the jump.

While I didn’t know much going in, I walked away thinking Sucker Punch could easily be Snyder’s biggest film to date.  Also, it’s completely unencumbered by any sort of restriction since so much of the film takes place in the mind of Emily Browning (Baby Doll).  If you’re not familiar with Sucker Punch, I suggest watching this trailer before going any further:

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sucker-punch-movie-poster-01And here’s the official synopsis:

“Sucker Punch is an epic action fantasy that takes us into the vivid imagination of a young girl whose dream world provides the ultimate escape from her darker reality.  Unrestrained by the boundaries of time and place, she is free to go where her mind takes her, and her incredible adventures blur the lines between what’s real and what is imaginary.

She has been locked away against her will, but Babydoll (Emily Browning) has not lost her will to survive.  Determined to fight for her freedom, she urges four other young girls—the outspoken Rocket (Jena Malone), the street-smart Blondie (Vanessa Hudgens), the fiercely loyal Amber (Jamie Chung) and the reluctant Sweet Pea (Abbie Cornish)—to band together and try to escape their terrible fate at the hands of their captors, Blue (Oscar Isaac), Madam Gorski (Carla Gugino) and the High Roller (Jon Hamm).

Led by Baby Doll, the girls engage in fantastical warfare against everything from samurais to serpents, with a virtual arsenal at their disposal.  Together, they must decide what they are willing to sacrifice in order to stay alive.  But with the help of a Wise Man (Scott Glenn), their unbelievable journey—if they succeed—will set them free.”

When you go on a set visit, you never know how the day will play out.  Sometimes you arrive on set early in the morning and you’re waiting for hours to get started.  Other times you arrive and you’re immediately interviewing the cast or watching filming.

Thankfully, we arrived on set around 9:30 in the morning and for almost the entire day we were interviewing key production people, watching filming, getting shown early footage from the movie, or speaking with the cast.  While we were on set for ten hours, I don’t think we stood around waiting for more than a few minutes at any given point.  This isn’t the norm and everyone working on Sucker Punch made our visit one hell of an experience.

Since many of you might not have the time to read a full report or you just might not care about everything I did, here’s the most important thing I want to tell you:  if you are a fan of Zack Snyder’s three previous films, Sucker Punch is going to ram its figurative fist in your face with how cool it is.  The film is loaded with action.  You get to see hot women in amazing costumes and kicking ass.  Plus the film is from the mind of Zack Snyder, so you’re going to get plenty of slow motion shots and astonishing unbroken takes.

As I said, this film is completely original and that’s one of the reasons why it’s so cool.  Most films move along in a certain way.  You get a big action scene to start a movie, you get another in the middle, and you end with the biggest set piece.  Along the way our protagonist meets someone who changes their view, or their best friend ends up being the villain.  Almost every Hollywood movie follows a similar structure.  And that’s why you should be so excited for Sucker Punch.  This is a film that will move at its own pace, obey its own rules, and it’ll show what Zack Snyder can do in many different realities when he is only limited by the scope of his imagination.  And based on the production artwork we saw and the designs for the big action set pieces, the man has plenty of amazing ideas that we have never seen in any of his previous films.

When we first got to the soundstages, we put our stuff down in a specially prepared interview room that’s loaded with early artwork.  The walls are filled with preproduction images and we get to see what the girls look like in costume.  The room is near Zack Snyder’s office and it’s also near all the production rooms that are filled with images and info on the movie.  If you wanted to know the secrets of Sucker Punch, this one hallway reveals it all.

After a short conversation with Debbie Snyder (Zack’s wife and the producer of the film), we walk to a hallway which features the entire movie in pictures.  It’s very similar to what they did on Watchmen, except this hallway is not behind a locked door.  As we walk down the walkway, Debbie Snyder explains each sequence and what they are going for.  We learn the film will have four major action set pieces and they’re each going to be between ten and fifteen minutes.  While some movies feature action that seems to happen for no reason, Zack Snyder has designed each scene to correlate with something happening in the real world.  When Baby Doll is dealing with something in the asylum, she escapes in her mind by producing a vivid fantasy so she doesn’t have to deal with what’s really going on.

Sucker-Punch-movie-imageBut before I go explaining what the girls are looking for, let’s talk about who and where they’ll be fighting.

The thing to remember about Sucker Punch is a lot of the film exists in the mind of Baby Doll, so while a normal movie might have to justify why a twelve foot Samurai solider exists, or how a dragon plays into a film, this movie doesn’t have to explain anything and that freedom is what makes this movie feel so fresh and exciting.

Since I really don’t want to spoil all the twist and turns I learned on set, I’ll just say the girls are trying to locate four objects: a map, fire, a knife, and a key.  These are the four items they need to steal and each item exists in its own original universe.  That’s why as you watch footage from the film in the trailers and TV spots, everything looks so different.  In each universe they’re up against different monsters or environments.

sucker-punch-movie-image-jena-malone-emily-browning-abbie-cornish-01After learning about the various things they will fight, we were given a tour of some of the stages.  The first thing we learned was Sucker Punch is using four soundstages and as soon as they wrap on something, the stage is ripped apart for the next set.  This is done to save money as the more stages you rent, the more expensive it is.

The first set we got to see were some sex rooms in a brothel.  One room was red and the other was green.  But more important than the color or what might go on in the rooms (hint: it’s sex), this was our first glimpse at how all the different layers of the film play off one another.  For example, in the green room, we saw a huge dragon in the wallpaper.  While the dragon doesn’t exist in this reality, it’s a way of showing the audience how the real-world crosses over into the fantasy-world.  Also, based on what we saw, this is going to be a movie that will be amazing on repeat viewings as the production has put in plenty of nods to other realities in each one.  There will be plenty of Easter Eggs for those paying attention.

From the brothel rooms we walked to where second unit was filming an insert shot of a gun in a desk.  Before they started rolling, they showed us what was filmed the previous day and it involved Baby Doll’s stepfather in his study.  In the footage, he’s pacing back and forth upset about something.  He’s holding a document in his hand and there is lighting in the window behind him.  Finally, he walks behind the desk and that’s where the insert shot will be put in showing the gun.  While I don’t know where scene fits into the movie, later in the day I found out the room has many things that might have influenced Baby Doll’s fantasies.  For example, the bookcase has a number of World War One books.  There is something about dragons in the room.  It’s another reason this film could work great on repeat viewings.

sucker_punch_movie_image_emily_browning_01After this, we walked over to where first unit was filming and finally ran into Zack Snyder sitting behind the monitors.  The scene he was shooting was part of the German trench battle during the WWI fantasy and sitting near Snyder was Emily Browning.  When we first arrived, Snyder talked to us about what they were going for and we got to watch a few takes of the girls trying to break into a bunker.  The scene showed Abbie Cornish, Jamie Chung, and Jena Malone taking on a few German soldiers.  On take after take we saw the girls firing machine guns and kicking ass.  I immediately thought this is a girl’s version of 300 and men and women are both going to love this.

While I could have watched the girls kick ass for hours, we were told we’d get to see some footage from the sequence cut together, so we happily walked to editor William Hoy’s office.

While the footage featured plenty of green screen and zero finished effects, I could easily see what Zack Snyder was going for and it looked mind-blowing.  Not only did we see Cornish and Malone smack the life out of some German soldiers, we saw some amazing slow motion shots that will make audiences freak out.  One shot, which I will not spoil, featured a weapon being thrown across a long distance in slow motion.  If you saw 300 and Watchmen, you sort of know what to expect, but it was still jaw-dropping.  Also, I could not believe how stunning the sequence looked even though it was just being filmed and all of the effects were in-camera.  Some movies don’t look this good even after the effects have been added in post-production.

sucker_punch_poster_banner_rocket_jena_maloneMusical Numbers

As I said before, the thing about Sucker Punch is how it’s not just an action movie. It’s a mixture of diverse, electrifying elements under one roof.  With that in mind, we come to our next stop: the musical number.

During Sucker Punch, the film is going to jump between the asylum, the fantasy world, and the brothel.  And in the brothel, we’re going to see some of the girls perform short musical numbers.  None of them are that long, but it’s another example of how the film is kicking the conventional action movie in the face.

Anytime you’re going to try and do a carefully choreographed scene involving many extras, a band, and background dancers, you’ve got to rehearse.  So when we arrived on the soundstage, we saw Jena Malone and the background dancers working on their moves in anticipation of filming later on in the evening.

The first thing I noticed was how great the stage looked.  From our vantage point, it looked like a real club.  As we walked around, we got to see Malone practice her dance and we also got to see how the dance number plays into the rest of the film.  For some reason Baby Doll thinks of Jena’s character as a nurse, and at the end of the number all the other dancers are holding giant syringes.  While I don’t know how it plays together, everything in Sucker Punch is layered together and all of the fantasies mesh together.

The other thing to mention about the Brothel soundstage is it’s the same stage as the Lennox House – which is the asylum where the girls live.  So while the location is different, you can sort of tell it’s the same location and another fragment of Baby Doll’s mind.  Unlike some films that try and hide what is going on, Sucker Punch tells you the entire time Baby Doll is dealing with the world around her by making up elaborate fantasies to shield her from the pain.

Costumes, Production Design, and Props

sucker-punch-vanessa-hudgens-posterAfter getting to see the rehearsal, we got to speak with production designer Rick Carter and costume designer Michael Wilkinson, and then we went to a locked room to check out all the handmade props.

For some of you, getting to speak with the production designer or the costume designer would be the highlight of the trip, so to make it nice and easy, here’s the links to the audio of what they said (Rick Carter and Michael Wilkinson).  They both talked about coming to the project, what it’s like to work for Zack Snyder, the challenges of the movie, what was the hardest part, and a whole lot more.

But there is one thing I want to share:  At the costume department, we got to see photos of what the girls wear in the different parts of the film.  By now you’ve likely seen the trailers and you will understand when I simply say, “Wow.”.  We also learned the film takes place over five or six days and not everyone had a costume for all six days (or at least they didn’t on the board…).

While I thought the costumes were impressive and I learned a lot about production design, I always love going to the prop department.  Thankfully, Sucker Punch didn’t disappoint as we got to see and hold many of the “hero” props.  In the room we passed around a special gold lighter with a dragon on it (from the dragon/fire fantasy), Baby Doll’s 24 inch sword with a special engraving that spells out the entire movie, Baby Doll’s gun with a number of charms hanging off the bottom, Baby Doll’s sister’s bunny, jetpacks, all the guns they are using, orc weapons, German soldier weapons, and everything else that anyone uses in the film.  It was literally a treasure trove of props that any movie memorabilia collector would love to own.

Interviews with the Cast

Like every movie set I have been on, you eventually get to speak with the cast.  As you can read by clicking the links at the bottom of this article, the cast was great to speak with and they all talked about how hard they had to work to prepare for this movie and how much fun they were having.  Even though the cast and crew were all working long hours day after day, they all seemed fresh and excited when talking about the film.  If their energy and excitement is any indication, their real life chemistry is going to look great on screen.

sucker-punch-jamie-chung-posterThe Screening Room

Something that Zack and Debbie Snyder did on Watchmen which really impressed me was how they didn’t try to hide anything.  They showed us pre-viz, they explained how they wanted to film certain sequences, and they let us behind the curtain to show us the challenges of making a movie.

And like Watchmen, they were open on Sucker Punch.

Eventually, our group made out way to a screening room and Debbie Snyder showed us a ton of pre-viz on the “Samurai sequence” where Baby Doll has to fight on her own and take on a twelve foot samurai warrior.   Since they aren’t filming the sequence until January 2010, they are still figuring out how to shoot it and what moves she will do.  But after getting to watch the green screen stunt team’s practice attempts and the pre-viz, I can tell you Baby Doll is going to plunge her sword into a sensitive place.  If it comes together like we were shown, it’s going to look awesome on a movie screen.

Another pre-viz sequence we saw involved a dragon.  While they are still figuring out the sequence, I think there might be two dragons in this part of the movie, a baby and an adult.  Also, there seems to be a medieval castle in this fantasy.  I was once again awed at how Snyder will get to explore so many settings within one movie.

But while all the pre-viz looked great, the highlight was the last bit of footage, which takes place on a train.  According to Debbie Snyder, they are going to try and shoot an extremely long take that features more action than you can possibly imagine. Thanks to the magic of technology, they are going to move in and out of the train, up and down walls, and all around the actors…in one long continuous take!  While the sequence is still being put together, if this ends up happening, it may end up alongside Goodfellas‘ restaurant scene as one of the all-time-great long-takes.  It’ll also blow away what Zack did on 300 with Gerard Butler and that long-take that moves in and out of slow motion.

sucker-punch-movie-poster-retro-sweat-peaThe purpose of the sequence is for the girls to reach one end of the train to stop a bomb.  But whatever the reason for the action, it’s clear this is more about the camera shot than anything else, and I couldn’t be more excited.  This one shot impressed me more than anything I have seen in a long time. Hopefully it came together in the final film.

Jena Malone Films Her Dance Number

After a little break and some food, we eventually made our way back to the stage where the production was getting ready to film the first dance number of Sucker Punch.  Every day this week the plan is to film each actress doing her dance number.  No dance sequence are filming for more than a day, which should tell you that none of the numbers are going to take up much of the film’s runtime. If I had to guess, each one is are thirty seconds to one minute in length.

Final Thoughts

As you can hopefully tell from the craziness of this set report, Sucker Punch is going to be unlike anything you’ve ever seen on a movie screen.  While the production was still figuring a few things out on set, I could see all the time and energy that had been put into layering this film with tons of spectacular extras that this is going to be something special when it gets released in 2011.  It’s also going to be a film that rewards you for repeat viewings.

Ultimately, if you’re a fan of Zack Snyder – especially Zack Snyder’s action sequences – you’re going to absolutely love what he has in store for Sucker Punch.

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For more coverage from our Sucker Punch set visit:

Carla Gugino and Oscar Isaac On Set Interview SUCKER PUNCH

Vanessa Hudgens and Jamie Chung On Set Interview SUCKER PUNCH

Jena Malone and Abbie Cornish On Set Interview SUCKER PUNCH

Emily Browning On Set Interview SUCKER PUNCH


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Chris Dodd to Lead MPAA

On the day his appointment as the new chairman and Chief Executive Officer of the Motion Picture Association of America was announced, former Senator Christopher Dodd said the defining issues in front of him go beyond the movie and TV industry.

"The digital threat is not just a limited issue for the film industry," Hollywood's new chief lobbyist said Tuesday. "It is one that cuts across intellectual property."

The other big issue is "market access," said Dodd, meaning making sure that in countries like China and those in the Middle East, the flow of American products is not impeded for political reasons.

"You know if you walk down main street people would arrest you if you walk into a retail store and stole items," Dodd said. "It's called looting in some cases. That's exactly what is happening with intellectual property. It's being looted and that needs to stop."

Of course, those efforts are all in Dodd's future. On his first day in the MPAA office in Washington, D.C., he was enjoying the nearly unanimous praise for his appointment throughout Washington and the entertainment industry.

"There is nothing worse than someone who an hour into the offer and acceptance starts pontificating about exactly what has to be done across the board," Dodd said.

After more than a year searching for a new leader for the MPAA, which has a budget of close to $100 million a year, there was a rare sense of unanimity among the top studio heads. Unlike the mixed and often tepid reaction when it looked as if Sen. Bob Kerrey would get the job, there was real enthusiasm expressed for Dodd.

"I think this is a major coup frankly," said Barry Meyer, chairman of Warner Bros, adding that they had interviewed and considered many candidates, and that he and other studio heads had a series of conversations with Dodd.

"He had a lot of choices," Meyer said. "I think he saw our business for what it is – a great American export industry that really needs somebody of his presence and stature to represent it around the world."

"Senator Dodd is a battle-tested leader whose reputation as a strong leader on major issues facing this country has prepared him to serve as the ambassador for the movie business," said Fox Filmed Entertainment chairman Jim Giannopoulos. "I, along with my colleagues, agree that he was worth the wait."

"We conducted a thorough search to identify the very best individual to lead the MPAA," said Sony Pictures Entertainment chairman and Chief Executive Officer Michael Lynton. "We're convinced we have found that person in Chris Dodd."

Dodd spent weeks making his decision about whether to take the MPAA job or other opportunities that might have paid more. As it is, Dodd is reportedly being paid $1.5 million a year as his base salary, which is up from the $1.2 million his predecessor Dan Glickman received during his five years on the job.

A native of Connecticut, Dodd's dad Thomas was a senator before him. He served in the Peace Corps in the Dominican Republic before attending the University of Louisville law school. He served in the U.S. Army and practiced law in New London, Connecticut before being elected to Congress in 1974 as part of a group of Democrats swept in after the Watergate scandal. He was re-elected to the House of Representatives twice.

Dodd was first elected to the Senate in 1980 and then re-elected four times. Committees he served on included rules and administration and banking, housing and urban affairs. He was co-author last year of the Dodd-Frank bill which revamped the credit markets and banking in the U.S. after the 2008 recession. It was also the bill that killed the effort to create a movie futures market, which was strongly opposed by most of Hollywood.

Dodd ran for President in the 2008 election cycle but dropped out in the first primaries when he failed to gain traction.

Dodd's presidential bid was supported by a number of show business figures including Alec Baldwin, Barbra Streisand, Sony's Howard Stringer and Time Warner's Jeffrey Bewkes.

In July 2009, Dodd announced that he had been diagnosed with prostate cancer. He was operated on and reported the surgery was successful and that he was once again in good health.

Meyer said that during the conversations with Dodd about the MPAA job his health was never an issue. "The bridge he had to cross," said Meyer, "was whether this was something he really wanted to do at this point in time. ... He's full of energy, drive and determination."

While he has been known as the senator from Connecticut and for his work in the banking industry, and for work in international relations from India to Latin America, Dodd also has cultivated many friends in show business over the years.

"He has always had an affinity for the entertainment business," said HBO co-president Richard Plepler, who worked for Dodd as a Senate aide in 1981-82. "He has strong relations in our industry. I remember when I was a kid working for him at the very beginning of my career how connected he was to Los Angeles where he would often go for politics and fundraisers. He has known many of the leaders of the industry."

Lorne Michaels, producer of Saturday Night Live and many other shows, has been friends with Dodd for almost 30 years. "He's very smart, very witty," Michaels said. "Secretly very funny. It would be hard for me to maintain friendship with anybody who didn't have a sense of humor."
Michaels said that while Dodd is a Democrat, he has always been a "bridge builder," adding: "People like and trust him. That's a huge part of getting things accomplished."

"One of the greatest testimonies to Chris's ability to get things done is that in 30 years in the Senate, whether you were Democrat or Republican, people came to Chris to work out deals and bills and legislation," said Plepler, "because they knew he was a person who could bring people together."

Those are skills he will need. The MPAA is no longer the organization Jack Valenti ran, with a common purpose. Today there are members in broadcasting, consumer electronics, cable TV and other areas which often compete with other member's interests. That is one reason it has been so hard to fill Valenti's oversized shoes. Dodd is convinced he can handle the task.

"The one thing I heard over and over in my conversations with the leader of these businesses is how determined they are, while they've got differences," said Dodd, "to come together as a team on these big issues they face."

Meyer said the process of finding the new MPAA leader was an opportunity to work in common. He called it "a kind of crucible to reinforce the focus and position of the organization."

As he contemplated taking the MPAA job, Dodd turned to some of those show biz friends for advice, including actor Warren Beatty. "I had long chats with Warren about this job privately," Dodd said. "As with everybody, I asked what are the pros and cons about all this?"

Dodd also discussed it with daughter, who celebrated her sixth birthday on Tuesday. "She said are you ever going to be a Senator again?" Dodd recalled. "I said what would you like me to do? She said I'd like either to have you run the zoo or open a candy shop. I've just taken the perfect job. I'm going to be able to do both. I'm going to run a zoo and a candy shop called the MPAA."


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Judd Apatow Talks Pee-Wee, Knocked Up Spinoff

pee-wee-herman-judd-apatow-knocked-up-slice

Judd Apatow will spend a good portion of his near future with familiar characters.  He signed on to produce the new Pee-wee Herman movie, the culmination of Paul Reubens’ revival tour of the 1980s character.  More to my interest, Apatow is writing and directing a new feature based on the characters played by Leslie Mann and Paul Rudd in Knocked Up, scheduled for release June 1, 2012.

The Venice Family Clinic honored Apatow with a humanitarian award last night, where he discussed what makes these characters worth revisiting, and how to address the continuity issues that might arise in each property.  Read what he had to say after the jump.

Screen Junkies asked Apatow if the new Pee-wee Herman film touches on what the character has been up to over the last 25 years.  Apatow responded:

“No, it exists in its own world but it’s very imaginative. I think that’s one of the best characters of all time for me. It’s like W.C. Fields… It’s more like The Simpsons where in every episode he grew up in a different decade.”

Judd-ApatowI was never the right age for the Pee-wee fandom, but it’s been a pleasure to watch the response to this revival as it unfolds.  I respect the  adoration for the Pee-wee brand of humor, and you get the sense Apatow does as well.  Factor in his sharp producerial eye, and there’s no better man to have speaking on behalf of the Pee-wee Herman movie from the perspective of a fan.

To contrast, I’m exactly the right age for Knocked Up.  There was an immediate connection with a handful of characters from that movie, something Apatow is keenly aware of:

“People were really taken by those characters. I think people really emotionally connected to the challenges of their marriage and I thought, you know, they were only a small portion of the movie. I’m a television writer so I always want another episode. I always want another 80 episodes. That’s why after Forgetting Sarah Marshall, we said, “What else can we do with this character Russell Brand has created here?” I felt that way about Pete and Debbie from Knocked Up.”

This reminds me: I wonder if we’ll ever get another patented Apatow TV series, or if he’s lost to features forever.  Maybe this HBO collaboration with Lena Dunham will fill that void?

There’s still a lot to be worked out, but Apatow does promise that Pete and Debbie will be joined by at least a couple of their Knocked Up pals:

“I’m trying to figure out how to [work in cameos]. A lot of it just depends on people’s availabilities and the story I’m trying to tell, who fits into that story. There definitely will be other people from Knocked Up in the movie.”


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Percy Jackson Sequel in Development

EXCLUSIVE: Fans waiting for a sequel to "Percy Jackson and the Olympians: The Lightning Thief" may not have to wait that much longer.

Fox 2000, the 20th Century Fox label behind the adventure franchise, is putting a follow-up project to the 2010 young-adult film in active development and could shoot it as early as this summer, according to a person who has been briefed on the project's status but was not authorized to speak publicly about it. The movie would be subtitled "The Sea of Monsters" and derive from the second book in Rick Riordan's five-book series.Monst

The studio has hired Scott Alexander and Larry Karaszewski -- who wrote "Ed Wood" and "Agent Cody Banks" -- to write a script for the new film, which they are currently doing. But the person cautioned that the project is still very much at the development phase; the movie, for instance, does not yet have a director.

Chris Columbus, who helmed the first installment, is not expected to return, although he will produce the picture, as will "Breaking Dawn" producer Karen Rosenfelt, who also produced "Lightning Thief."

The lead cast members, headed by Logan Lerman as Percy Jackson, will come back, according to the person who was briefed.

A Fox spokeswoman declined to comment.

The first film introduced the world to  an ordinary boy who discovers that he is the son of the Greek god Poseidon, and that many elements from ancient Greek mythology still exist today. (The film aged up the character from 12, which he was in the novel, to 17.) Riordan's second book follows Percy and his group of friends as they head to the titular sea to find the mythical Golden Fleece and to free a friend who has been captured there.

A "Percy Jackson" sequel had been a question mark since the original came out a little over a year ago. Riordan's books are hugely popular, with the series spending more than three years on the New York Times bestseller list. The original film was a modest hit, fueled by its performance overseas: It grossed a decent $89 million in the U.S. but pulled in an additional $137 million around the world.

Young-adult movies tend to spawn sequels relatively quickly, as studios worry that both a cast and an audience can grow out of a franchise. But one person familiar with the project said that Fox believes that the ongoing popularity of the books is more than sufficient to overcome a potential two-year lag between films.

RELATED:

Movie review: 'Percy Jackson and the Olympians: The Lightning Thief'

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Fox will make a 'Diary of a Wimpy Kid' sequel

--Steven Zeitchik

twitter.com/ZeitchikLAT

Photo: Book jacket from "Percy Jackson and the Olympians: The Sea Monsters." Credit: Hyperion Books


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